Thursday, April 1, 2010
Opening
Monday, March 1, 2010
Monday, February 15, 2010
crit 3
julie: lay them out 5x4, categorize into generic categories. model, art school, bathroom reflection, halloween, boyfriend, graduation, etc. different sizes will make categories. take picture of painting, tag people, invite them to show. may show in LAB, have computer in CSB. Paintings are naturalistic, experience with light when taken from computer, think about digital image looks like, romanticizing with imagination. System developing of social networking. Idea of light, not situation but digital light enforced upon by the computer.
kerry: mery and couplets. instalation, glass window in a door, painting on the outside of the door. mery inside the door, walls of the house. performance of the mery. normal door, big window. cutting the glass, same as silk screening. specimen divided into important parts.
joanna: interested in representation of female body and advertising. these images of women are accompanied by sexuality. integrate photo and design, posters of women and sexual image exaggerated. try billboard size. deal with vanity. compositing images together, may also perform as herself. digitally tweak image, though not make it creepy enough, relates to idea of barbie. sex cells, woman's body object of desire.
pryam: preliminary prints, no woodcut. more about the process of the print. house she grew up in. streching them than on canvas. the way they're cut more visually appraising to make it look like painting. multiple of one thing, yet mutated. stretched may not be a good idea. process is the most important thing, connected to the subject matter. process isn't rendering but its a work in progress. thicken amount of oil, plate that is not so absorbent (using wood). staining element may help to push out more the colors. strong metaphor of memory, substance of life. need to be visually striking.
jeff: recreating dream. upsetting, get all 5 senses. abstract photos put together. go back to basics, feel vibrations of sound. abstract vs experience? create abstract images through the video. projecting on the wall, layered the projection, still connected to the narrative, abstraction will come connecting as pieces. sensory pieces, great idea.
Wednesday, February 10, 2010
crit 2
Thursday, February 4, 2010
Group 1c review
Wednesday, December 2, 2009
Grad Schools
Thursday, November 26, 2009
Alex Bag's video
Friday, November 13, 2009
MGSA MFA Show
Thursday, October 29, 2009
The Fair- Ch. 3
Tuesday, October 27, 2009
Blocks of Color

I don't think I have been more impressed by woodcut than seeing "Blocks of Color" at the Zimmerli Art Museum. The way in which our contemporary landscapes are portrayed make them seem more real than they are. They have the aura that Japanese woodcut would give out, a special view of nature in a block of wood. The color brightness made them seen real, like taken out of a photograph. What impressed me the most was that the colors looked like watercolors. It gave the woodcut like a color outline that rounded up each block.
Wednesday, October 14, 2009
The Studio Visit
- "While Sega Corporation has Sonic the Hedgehog and Nintendo has Super MArio, Kaikai Kiki wa named after the mascot that appear on its letterhead and cultural goods. Kaikai is an anodyne white bunny, while Kiki is a whild three-eyed pink mouse with fangs. Both characters have four ears each, a 'human' pair and an 'animal' pair, suggesting that the company is all ears."
- "Playing with pigment not just as an aesthetic category but as a racial one. Some sculptores and paintings come in albino, Caucasian peach, olive brown, and jet-black versions. Later Murakami would tell me that he thinks of Japanese skin color as 'plum'."
- He believes in the influence of media coverage and acknowledges that the studio visit is an important art world ritual for promoting art.
- A studio is supposed to be a site of intense contemplation.
- A studio isn't just a place where artists make art but a platform for negotiation and a stage for performances.
- An artist's confidence in a curator is essential to making a great solo show.
- "The best solo show come when an artist and curator are connected and highly invested... when their reputation depend on it... when they're both putting their career at stake."
Alfa Art Gallery
Friday, October 2, 2009
Interview with Ed Freeling
> I as well like and used to take pictures so i guess that led me to graphic design. Photography along with not liking to study from a book propelled me to design. Design is more practical and you can use your hands and that was way more appealing that reading from a book and it gave me the ability to use photography and explore the possibilities with photography.
2. What do you like to show? Do you have specific themes?
> I don't do much work on my own outside of class, i haven't had time to do much of that. Therefore i don't show much of my work besides the projects during crits in class. Same applies to themes i haven't been doing much on my own to have any set themes I work with.
3. Are you working on anything right now beside school work? How are you managing your time when having to visit the galleries?
> I guess if I had to choose something I work on besides work, it would be designing tee shirts. I love the company volcom and one of the shirts I bought had a volcom stencil of their symbol. With that I briefly made tee shirts in my apartment and a few hoodies. As far as managing time for gallery visits I have been using the allotted class time to get into the city and see the required things. When we don't have class that is biggest amount of free time, so I make sure to try and use it to get to the required visits.
4. Have you shown your work? If so, when?
> I have shown my own work once in a gallery show for the county college I transfered from, it was back in 2004. Oddly enough it was photography rather than design. The process was no where near as elaborate as what we have to go through now. It was nice seeing my work up on a wall, but having my work hang from a wall for a show is not my goal with design.
5. What do you plan on doing after graduation? Have you worked as an intern?
> I haven't set much of a goal for after graduation. More I guess I have a goal in say they work schedule I want more than a career goal. I guess to start my goal would be getting a job, in a design firm on the smaller side. I want to find a firm that works in collaboration with others to create design work. I want a job in a place where i can use my strengths and work with others to over come my weakness. The hope being collaboration will produce stronger more appealing design. Hopefully i can find this in a firm where i work Monday through Fridays and be off on weekends. So far I briefly worked as an intern at the recreation center for what they considered their design department, over on Busch in 2006. It was only for a semester and I wasn't there long enough to learn much or work on much.
Women in Art
Thursday, October 1, 2009
Chelsea Gallerys
Wednesday, September 30, 2009
The Crit
Tuesday, September 22, 2009
New Museum
With David Goldblatt, the way in which he depicted South Africa isn't as different as the country I come from, Venezuela. It frightened me to see that similar economical/political situations are ocurring around the world. Another thing that made a big impact in my understanding of his work is the dedication made to AIDS awareness. There were red ribbons all over the streets, showing support or wanting help against it.
Black Panther is a type of art which I still have difficulty wrasping its meaning. Political propaganda is seen everywhere, yet in the times of civil war, I can't understand it. It was understandable that different races were involved since some of his posters had Spanish text written. Minorities create their own alligences against a common cause. Even then, racial problems have been an on-going theme in the present world we live in. It has died out in some areas, but people cannot forget where they come from and their superiority is blinding.